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By A. G. Rigg

A finished background of medieval Anglo-Latin writings (which characterize an miraculous 9 tenths of English literary tradition within the period). The previous century because the final significant paintings in this topic has obvious the invention and modifying of many very important texts. A. G. Rigg's new authoritative reference paintings underlines how the view of England's literary background within the center a long time as a decline from Anglo-Saxon tradition (recuperated in simple terms within the fourteenth century within the paintings of writers equivalent to Chaucer) ignores the flourishing culture of Latin literature written among England's enforced access into the eu mainstream and the increase of the vernacular and of humanism. It finds a really wealthy corpus of writings, comprising epic, lyric, comedy, satire, prose anecdotes, romance, saints' lives and devotional texts. This chronological heritage supplies quotations within the unique Latin with English translations in verse or prose; Anglo-Latin metres are defined and exemplified in an appendix.

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Extra resources for A History of Anglo-Latin Literature, 1066-1422

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This allowed him to intrude authorial observations and apostrophes, and to record events not witnessed by Malchus himself. g. between Malchus and his father, Malchus and the abbot). The final version is over three times the length (3344 lines), and other patterns of rhyming hexameters have been introduced. It has been divided into six books, each intended for delivery in a single performance and ending with a formula: Quo te Musa sequor ? Sta ! Cras iterabimus aequor (m 572) Where next from here, O Muse ?

88 His Qesta Regum, first completed to 1125 and revised later, is primarily a sober secular history, based on earlier sources or site visits, but is enlivened by anecdotes, and there are observations of literary interest. 89 He frequently quotes contemporary poets: Hildebert (on Berengar of Tours and Rome), Godfrey of Winchester (on Serlo), and the anonymous verses on Herbert Losinga and Peter, bishop of Poitiers. When dedicating the work to Robert of Gloucester, he praises him for his love of literature.

He reintroduced material on Godwin (perhaps from William of Malmesbury), but for entirely hostile purposes: Aelred was naturally appalled by the ejection of Robert of Jumieges, rightful archbishop of Canterbury, and gleefully retold the story of Godwin's death, choking on a crust in the act of perjury. Aelred offered interpretations of many of the visions, and saw in Edward's final vision a prophecy of the accession of Henry II. He retained Osbert's account of Edward's ghostly assistance to Harold at Stamford Bridge, but made it serve as a kind of trap, leading Harold to his doom at Hastings.

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